Detailed explanation of class AB power amplifier

If an "audiophile" is a group of people who are never satisfied with the sound and "loved the new and the old" with the audio equipment. So how far can we just rely on these so-called "fever spirits"? In the face of all kinds of mysterious and mysterious means of fever, friends who are involved in this way are likely to be confused. In the words of the author's family, I might as well give a few words to many friends who are in "temperature": they should still have a scientific fever. Therefore, understanding some necessary basic electronic knowledge is of great benefit to our equipment selection and pursuit of direction. At the time of writing an article, there is a very typical example. What is the difference between A, B, and AB working methods of the power amplifier? What are the different characteristics of sound performance? Here may wish to write this example to the reader.

Take the author's enthusiastic friend Wu Jun. Recently, I have been playing with class A, B, AB and other problem equipment, SONY X555ES CD player, Audiolab 8000A amplifier, ProAC Tablette III speakers, and I have also played for more than 2 years. I have used a nail to change the thread. In short, I have used a lot of fever. The sound has always been good. His "children" are all good at his system. In recent days, he has repeatedly called me and repeatedly asked me about Class A, AB, and how to change to a pure Class A power amplifier. It turned out that a colleague of mine recently bought a domestic Class A 80W 8Ω power input. Do not eat fireworks. He also showed advertisements and commentary articles to Wu Jun. So the originally calm state of mind made waves. I have asked him several times, you still have to move your colleague ’s A-class machine home to listen to it. What is so good, Xiao Wu said on the phone with a plausible comment, I read several magazines and said how to class A , How good ... I really feel helpless to say to him, I will give you a detailed talk when you have time to come.

Class A (A) amplifiers For Class B (B) amplifiers, there is no doubt that the sound has obvious advantages. I will talk about their working principles.

The transistor power amplifier is composed of a triode, and the triode is composed of several groups of NP and NP structures. This NP junction is cut off (off) when there is no external voltage applied (only a bias voltage is applied to it and is higher than it) The threshold voltage (silicon tube is 0.6V, germanium tube 0.2V), this NP junction will be turned on (open), there is current through, and the transistor will start to work. The working state of class B is that it is opened by the signal voltage without applying a fixed bias voltage, so when the signal voltage is less than 0.6V (silicon tube as an example), the transistor is in the cut-off state and the output is zero. Only when the signal voltage is greater than or equal to 0.6V, the transistor is turned on, the amplifier starts to work, and the output terminal has a signal output. Here it is clear that the small signal voltage is "corrupted". On the output waveform, a small section of the X-axis coincides with a straight line, so it is different from the input waveform, that is, distortion is generated. This is called crossover distortion, and the input The more small signals in the signal, the more severe the distortion. In the sense of hearing, there will be loss of music details, Xiaoxin Diao becomes blurred and weak, the whole music becomes incoherent, let alone talk about what the texture and musicality of the instrument is. This is the working state of the Class B amplifier.

Besides, the class B power amplifier stage must use two transistors to form a push-pull, one tube works in the positive half cycle of the signal voltage, and the other works in the negative half cycle of the signal voltage. In this circuit, when a tube is turned on The other is in the cut-off state. When the other half of the signal voltage comes, the working status of the two tubes just exchanges. At this time, the crossover distortion is naturally inevitable. Class B power amplifiers at home and abroad have no cut-off effect on the back electromotive force generated by the speaker. The back electromotive force is even fed back to the previous stage amplifier circuit, which causes the internal resistance of the power input to increase sharply, the damping coefficient becomes worse, or even lost. In the sense, you will feel that the class B amplifier does not control the speakers well, the sound is muddy, and the thrust is insufficient.

But Class B power amplifier also has its advantages. First of all, its efficiency is very high, which can reach more than 75%, so it can use a smaller power tube to output larger power. In addition, the push-pull circuit has the effect of suppressing even harmonics to reduce Non-linear distortion.

To address the shortcomings of Class B amplifiers, designers added a preset fixed bias voltage slightly lower than the threshold voltage to the input panel of the transistor, which made the output stage current of the transistor slightly larger than zero when static, making the small The triode can also be turned on when there is a signal voltage, and there is a current output, so that the transistor is turned on for more than half a cycle of the signal, and the crossover distortion will no longer exist. This is class AB. In actual use, the current home audio amplifier Class B is rarely used, and most of them are Class AB. Class AB amplifiers overcome the problems of Class B amplifiers, and the electrical efficiency is much higher than Class A amplifiers. Nowadays, in home audio amplifiers, in order to improve the sound, often put The bias voltage is set higher than the threshold voltage, so that the transistor is in a conducting state, making its working state close to Class A. This is called AB class with high bias current.

A type power amplifier is to set the forward bias at half of the maximum output power, so that the power amplifier is also in a full-load working state when there is no signal input, so that the power amplifier is turned on and has a current output during the entire signal cycle. The class A amplifier keeps the triode always working in the linear region, so the class A amplifier has almost no distortion, and the texture on the hearing is particularly good. Especially when the signal is small, the entire sound is balanced, lubricated, and harmonics are abundant.

However, Class A amplifiers also have shortcomings. The first is low efficiency, generally not more than 25%. A large amount of electrical energy becomes heat energy. Under the same power, the power supply is often

Often much larger than class AB. Moreover, because of the high operating current, the working power voltage of Class A power amplifier is much lower at the same output power, so its peak output voltage is limited, and its input voltage is also limited by the amplifier amplification factor of the output voltage. Therefore, the great dynamic performance of music is affected.

The working conditions of the three amplifiers have been discussed in general terms from a theoretical point of view. Perhaps you will say that from the sound point of view, it is still the best class A! Yes, this is an objective fact, and the author does not deny it, but the problem is that the sound of a power amplifier is not only as simple as the above, the entire circuit and working principle are much more complicated, and various auxiliary circuits may be more complicated than the main amplifier circuit Much more, that is to say, even if you use the A type of amplification, it does not necessarily make a good noise.

Besides, the cost of a 100% class A power amplifier is also amazing, and its power consumption is more than an air conditioner. The so-called 100% Class A amplifier refers to how the impedance of the rateless speaker changes with frequency. The amplifier can maintain Class A work and the output power is sufficient. Although the nominal impedance of a pair of speakers is 8Ω, the actual impedance of the bacteria is working. It will change with frequency, it will be higher, it will be lower, it will be as low as 2Ω or even lower, which requires that the output power of the power amplifier can be doubled as the impedance decreases, which is the sky-high price of the Hi-End series we often see. The output power indicators of Class A amplifiers are 100W (8Ω), 200W (4Ω), 400W (2Ω) and 800W (1Ω). This is the so-called 100% pure Class A amplifier. Only such a power amplifier can make you always hear the sound of class A, but its price is also in the 100,000 yuan level, which is meaningless to most audiophiles.

Most of the low- and mid-priced A-type power amplifiers are only marked with 100w (8Ω) when the output power is marked. The following will not be marked. The implication is that this type of so-called A-type amplifier. When the speaker impedance is reduced, its A-class 100W Significantly reduced, the actual power amplifier works in Class AB working state most of the time, it should belong to Class AB, that is, its bias is higher than the threshold voltage mentioned earlier, which is usually called high bias current Class AB amplifiers are only intended to be expanded by manufacturers when they advertise. Generally speaking, reputable manufacturers will not say this. For example, Mark Levinson ’s No. 23.5 is an outstanding power amplifier. Its marked power is 200W (8Ω), class AB amplifier. It is equipped with two 1.2KVA large ring cattle. Actual It is estimated that 50W (8Ω) C or less is class A work, and class AB can contribute 248W (8Ω), but the factory has never been seen as a type A for publicity. To be honest, in terms of the limited machines I have heard, the difference between class AB and class A is very small. Therefore, many famous Hi-End factories do not promote themselves in category A, such as Jeff Rowland, etc., but their good voice is recognized.

In fact, what kind of circuit and working method a power amplifier chooses are not the only factors that determine the sound of the power amplifier, such as what we often say, the quality of the parts, the selection of the parts, the matching, and the production process are all factors that directly affect the sound. For machines with the same power, the capacity of Class A is 2 to 3 times greater than that of Class AB. It can be imagined that in the same price class, Class A machines almost use most of the cost for power supply, such as Krell KSA100 Class A 100W The power amplifier uses two 1.2KVA ring cattle and 160,000 microfarad electrolytic capacitors. If an AB class 100W amplifier uses two 600W ring cattle, it is very feverish and powerful. And it can use more costs for other aspects of the whole machine, and select more advanced parts. It has been proved that the serious production of class AB amplifiers will not be worse than the class A amplifiers of the same price, and the winners are also compared. Both are, therefore, I think that it is not incomplete to judge the sound from the categories A and AB. Rather, it is only the difference in the direction of the sound, but the difference in everyone's preferences. Taking Mark No. 23.5 mentioned above as an example, it is a class AB working state, but it is the value of a generation of famous machines. It is recognized by the Central Committee of the Audio Commission. To be honest, it is very difficult to surpass it at the same price for a class A amplifier. .

Take the 8000A class used by Wu Jun, a little more than 5,000 yuan (Wu Jun bought it at this price), 60W power, it is impossible to make a qualified A class 60W amplifier at this price. Besides, the voice 8000A is an evergreen tree with a reputation.

Besides, in the current domestic amplifiers, there are many serious and audible machines. The real class A machine has not appeared, at least I have not seen it; I have heard a 80W domestic machine not long ago, marked A The price is set at a very low price of 3,000 yuan, and the static body temperature is still warm for half an hour after the power is turned on. The ghost believes that it is a real class A, and it is not as good as a thousand yuan class AB. I always ca n’t figure it out. The audiophile ultimately depends on the ears. Then why do n’t you really do a good job of sound and power supply? Do you want to sell your machine? Why not do it? What about realistic gimmicks? People of Class A 50W use two 1000VA big ring cattle. It's not easy to talk about. We don't know, we can't do it, we just don't take it seriously. I also want to buy a 100% Class A machine. To be honest, Hi-End can't afford it. I hope to hear 100% of the beautiful Class A machines in the domestic machine as soon as possible.

Technical area detailed analysis of Doherty power amplifier design load traction principle (top) detailed analysis of Doherty power amplifier design how to improve efficiency (bottom) analysis of voltage follower input and output error analysis Solve the effect of power amplifier on emi

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